Tuesday, December 16, 2008




Time fer the next installment in my "Great Masters" series. Next on the platter, we have a sample of radish garnished Adam Rex, best served with a side of baguettes and clowns in trees. He is, perhaps, the only artist I like who works a lot in photoshop with a tablet as well as traditional illustration. When working traditionally, he uses oil paint on watercolor paper that's been given a few coatings of acrylic matte medium (this prevents the oil from seeping into the paper, which would ruin it forevers and evers.) I've tried this medium of work myself, and I must say I like it so far...though I would prefer to use a faster drying medium like liquitex or alkyd oils. For his linework, he either uses photoshop and a tablet, or good ol' ink and brush. When he inks traditionally, he uses just brush and ink, no pens. He has quite a style to him, though. His oils be sumptuous in color and texture, and his linework be fluid. He is the author and illustrator of the New York Times bestseller, Frankenstien Makes a Sandwhich, And other Stories You're Sure to Like, Because They're All About Monsters and Some of Them Are Also About Food. You Like Food, Don't You? Well, Alright Then, and possibly my favorite alien invasion book, The True Meaning of Smekday. He too, lives in Massachusets and has a backround in Magic the Gathering. In fact, he and Master Diterlizzi know each other. Fairly well. I'm detecting a pattern here....

Monday, December 15, 2008

Been a While...




Hello any readers I have (which I know I don't, as of yet. :[ ) Anyway, I've been rechargin' the ol' battries, and I thought I'd start a series of posts about my favorite artists. First of, as I like to call them, "The Great Masters", is that Magic the Gathering Guru, co-author and illustrator of the Spiderwick Chronicles, and Arthur Spiderwick's Feild Guide to the Fantastical World Around You, on of my favorite books, all-around grown up kid, Tony Diterlizzi. He is a master in acrylic gouache and colored pencil, creating richly, slighty sepia steeped fantasy illustrations. (probably a result of one of his influences, the esteemed Arthur Rackham.) I love his work particularly for the richness of the textures, and the wonderful character design behind them. His pen and ink illustrations are a sight to behold as well, having some influence, I imagine, from the comic book art of William Stout and the macabre, thickly textured illustrations of Edward Gorey. Truly, he is INDEED one of the better illustrators of our time. :D